The predecessor of Shoushan Stone Carver 1. Shoushan stone carving, specifically refers to the processing technology of Shoushan Stone, excluding engraving. There are mainly printing, printing buttons, printed Bogu, round carving, bas-relief, thin meaning, character carving, crafts ornaments and so on. Among them, especially the Jiashi seal printing button carving, round carving, bas-relief, thin and rough stone seal button, deep relief, art decoration carving, well-known reputation. There are no large pieces of Jiashi's works, and the two are not heavy. This is determined by Jiashi's avoidance of the materials and the literati's customary habits. The various types of rough stone seals are common in all kinds of sizes. The most common one is that the generous chapters of about half a catty are equipped with the perfect printed buttons. This is the mainstream. As for the ornaments, the weight is two or three pounds, and the weight is more than tons. Common in weight, deep relief, and skillful carving are the mainstream, and the works are mostly equipped with wooden trays. The time was mainly from the early Qing Dynasty to the 1980s. Although there are five generations of Tang and Song Dynasties unearthed, it is not the mainstream. After the 1980s, after the production of Shoushan Stone was scarce, the material of a large number of stone carvings in the area was its rock and stone. 2, Shoushan stone engraver is closely related to the output of Shoushan Stone, especially the output of Jiashi, which can be proved from two aspects: the artist who has been named in history and the masterpiece of the world. Shoushan Jiashi was produced in two periods, Kangxichu and Jiadao to the Republic of China. Before Yang Yuxi and Zhou Shangjun, there were Lin Qingqing, Lin Youqing and Zhou Baoting. In the middle of the hundred years of good reduction, there are no top artists. 3. Artists, whether in the Qing Dynasty or in the Republic of China, life is impoverished, and social status is very low. Of course, the top artists are exceptional. There are not many artists doing this work. This is also the period of the Qing and the Republic of China. An important reason for the small number. After 1949, the government came out to organize production, the number of people was less than 20, Jiashi works less, and there are many rough stone works, mainly producing buttons, seals and handicrafts for exporting foreign exchange. The life of the artists began to be guaranteed, and the social status was equal and improved. However, the works did not have much artistry. The theme of the times and the red theme were the mainstream, especially the Cultural Revolution. The traditional crafts could not be seen. When the reforms and opening up were carried out, the materials produced by the mines were poor, and the number of personnel grew to nearly 100. 4. The beginning of reform and opening up, for the survival of more than 100 people in the system, backed by the government, the old factory separated, the villagers of Shoushan Village were taken away, and this part of Fuzhou residents was retained, and the new factory was established today. And formed today's "industry people" or "inside the circle" composed of masters. Based on observation, observation, feeling and experience, the industry has issued identification certificates for hundreds of varieties of stone such as “Tian Huangshi†and “Chicken Nestâ€, which is based on the inspection of hundreds of professional jewels or mineral rocks in China. The name "Jewelry and Jade" or the national standard for mineral rock identification has formed a contradiction. Cordless Hair Curler,Portable Travlling Hair Curler,Wireless Hair Flat Iron,Wireless Hair Straightening Brush CIXI BAOFANLY ELECTRICAL CO.,LTD , https://www.cnbaofanly.com
The predecessor of Shoushan Stone Carver